AGiD Season 2 – Session 6
Jennifer Ronyak: “Le double sexe” and Johanna Bordewijk-Roepman’s Les illuminations: The Promises and Limits of an Image Starting in 1940 and continuing into 1941, Dutch… Read More »AGiD Season 2 – Session 6
Template
AGiD Season 2 – Session 5
Susan Wollenberg: Robert Schumann’s Frauenliebe und –leben cycle (1840): signals and significance The invitation to participate in the Artsong programme offers a welcome opportunity to… Read More »AGiD Season 2 – Session 5
AGiD Season 2 – Session 4
Lorraine Byrne Bodley: Un(veiling) our Hidden Truths: Infanticide in 19th and 20th Century Artsong So much has been written about Schubert’s ‘Gretchen am Spinnrade’ (D… Read More »AGiD Season 2 – Session 4
AGiD Season 2 – Session 3
Madlen Poguntke: Which Voices Survive? Gender, Care, and the Unequal Afterlife of Women’s Musical Voices Whose musical voice becomes part of history? The question is… Read More »AGiD Season 2 – Session 3
AGiD Season 2 – Session 2
Sharon Krebs: Josephine Lang’s Reputation The book Etched in Memory presents an in-depth look at the factors that influence the durability of artistic reputation in… Read More »AGiD Season 2 – Session 2
AGiD Season 2 – Session 1
Stephen Rodgers: From Archive to Album: Curation as Care What does it mean to care for music that has been forgotten? Scholarly recovery is often… Read More »AGiD Season 2 – Session 1